You Call That Scary?: The Absence of Terror in 'It Comes At Night' and 'Get Out'

Last weekend I saw It Comes at Night, the sophomore effort from writer-director Trey Edward Shults. His debut film, Krisha, was one of my favorites of last year, with an energetic style and a merciless yet empathetic approach to storytelling. Alas, It Comes at Night was disappointing, a half-cocked gambit to avoid the sophomore slump that feels more like the idea of a horror movie than the real thing. Despite some impressive, practically lit cinematography and an engrossing atmosphere, the film sadly feels like a rough draft.

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